Books
Material Worlds
Queen Hedwig Eleonora as Collector and Patron of the Arts
Stockholm: The Swedish Royal Academy of Sciences, 2013.
http://su.diva-portal.org/smash/record.jsf?pid=diva2%3A650605&dswid=-2535
European Silver 1500-1850 Nationalmuseum
Main author Lisa Skogh with Micael Ernstell. Volume II, Stockholm: Nationalmuseum, 2011.
Swedish Silver 1500-1850 Nationalmuseum
Main author Lisa Skogh with Micael Ernstell. Volume I, Stockholm: Nationalmuseum, 2009.
Edited Volumes and Special Issues
Queen Hedwig Eleonora and the Arts
Court Culture in 17th-Century Northern Europe
Edited by Kristoffer Neville & Lisa Skogh. Series: Women and Gender in Early Modern Europe London: Routlege, 2017 (second edition 2021).
A Field Guide to Curiosity
A Mark Dion Project
Edited by Earle Havens & Lisa Skogh. London: Victoria & Albert Museum, 2018.
The Varied Role of the Amateur in the Early Modern Europe
A special issue of Nuncius. Journal of the Material and Visual History of Science
(no 2) 2016.
Peer-Reviewed Articles
‘The Pretiosa Cabinet at Ulriksdal’ in Queen Hedwig Eleonora and the Arts: Court Culture in 17th-century Northern Europe, eds. Kristoffer Neville & Lisa Skogh, (series: Women and Gender in the Early Modern World), London, Routledge, 2021 (second edition, paperback).
‘The Pretiosa Cabinet at Ulriksdal’ in Queen Hedwig Eleonora and the Arts: Court Culture in 17th-century Northern Europe, eds. Kristoffer Neville & Lisa Skogh, (series: Women and Gender in the Early Modern World), London, Routledge, 2017.
‘Amateurship, Patronage and the Consort in the early modern German Princely context’ in special issue ‘The Varied Role of the Amateur in the Early Modern Europe’ in Nuncius. Journal of the Material and Visual History of Science (no. 2), 2016.
‘South, East and North: The Swedish Royal Collections and Dowager Queen Hedwig Eleonora (1636-1715)’ in Collecting The East & West, eds. Andrea Galdy, Susan Bracken, Adriana Turpin. Newcastle on Tyne: Cambridge Scholar Publishing, 2013.
‘Politics of Possession. The Pretiosa Collection of Hedwig Eleonora’ for the Journal of the History of Collections (Oxford Journals, Oxford University Press) (online 2010), 2011, no. 23 (2) eds. Jessica Keating, Lia Markey & Arthur MacGregor, 333-347, special issue: Captured Objects. Inventories of early modern collections.
‘Dynastic Representation. A Book Collection of Queen Hedwig Eleonora (1636-1715) & Her Role as a Patron of the Arts’ in Konsthistorisk tidskrift/Art History Journal, London: Taylor & Francis, 80: 2, 108-123, June 2011.
Editorially Invited Articles &
Book Chapters
‘The Museum of the Mind’ in Alexander McQueen, Savage Beauty, ed. Claire Wilcox. London: Victoria and Albert Museum, 2015, pp. 90-93.
‘The Ivory Foot by Georg Petel’ in Leidenschaft für Elfenbein. A Passion for Ivory. zu Ehren von Reiner Winkler. Sammler, Connaisseur und Mäzen, eds. Jutta Kappel, Georg Laue, and Marjorie Trusted. Munich: Kunstkammer Georg Laue, 2015.
‘Ivory portrait medallions in the collection of Swedish Queen Hedwig Eleonora of Schleswig-Holstein-Gottorp’ in Barocke Kunststückh, Sculpture studies in Honour of Christian Theuerkauff Festschrift, eds. Marjorie Trusted and Regine Marth, Munich: Hirmer Verlag, 2011.
‘Das Uppsala-Inventar, Zu einer Büchersammlung von Hedwig Eleonoras von Schleswig-Holstein-Gottorf (1636-1715), Königinwitwe von Schweden’ in Sammeln, Lesen, Übersetzen als höfische Praxis in der Frühen Neuzeit. Die böhmische Bibliothek der Fürsten Eggenberg im Kontext der Fürsten - und Fürstinnenbibliothek der Zeit, eds, Jill Bepler & Helga Meise, Wolfenbütteleer Forschungen 126, Herzog August Bibliothek (2010), pp. 307-334.
